Free Streaming Udhao (2013)
- MOVIE page: Udhao (2013)
- Rate: 7.3/10 total 33 votes
- Genre: Drama
- Budget: $1,000,000 (estimated)
- Director: Amit Ashraf
- Stars: Monir Ahmed, Shahed Ali, Nawshaba Ahmed | See full cast and crew
- Original Music By: Jacob Yoffee
- (in alphabetical order)
- Amit Ashraf
Plot: A drama thriller about men who run from their family responsibility and a rickshaw pedaling bounty hunter compelled to bring them to justice. Full summary » | »
Story: A drama-thriller about the men who hide in the shadows of Dhaka city, and a rickshawalla turned bounty hunter named Babu hell-bent on finding these runaways and forcing them to face their past. His life mission comes to an ultimate crossroad when he meets is biggest prey: a corrupt politician named Akbar. Convinced an evil spirit possess him, Babu captures Akbar and forces him to retrace the winding and dark path that led him there. Little does Babu know the dark secrets that haunt Akbar are about to be unleashed... Written byAnonymous
Produced By:
- Sumon Arefin known as producer
- Kazi Ashraf known as executive producer
- Amina Choudhury known as executive producer
- Hasina Choudhury known as executive producer
- Chris Silva known as executive producer
- Monir Ahmed known as Akbar Rahman
- Shahed Ali known as Babu
- Nawshaba Ahmed known as Mita
- Animesh Aich known as Raj
- Reetu Satter known as Remi Rahman
- Shahin Akter Swarna known as Runa
Production Companies:
- Kazi House Productions
Udhao (2013) Review by kamranga from Silicon Valley, California, United States
I had the privilege of Streaminging the screening of the movie "Runaway" atthe Bangamela 2012 held last weekend in the Washington DC areahttps://www.facebook.com/events/162504423836640/).
I will sum it up in one word:Superb! High quality acting, screenplayand direction. The intensity of the movie, in some scenes, parallelthat of a Hitchcock thriller. The use of flashbacks drive home thetotality of the dominant theme: bring back the Runaway. This wellwritten story covers the progression of a happy rural family man tobecome a Runaway and transition to a corrupt urban politician who is upfor re-election, and ultimately the Runaway's return, in confinement,back to his village. Along the multi-stop return journey, we encountersome well-picturized surrealistic interactions between the protagonist(Shahed Ali) and the antagonist/Runaway parent (Monir Ahmed Shakil).These interactions are often intense with unexpected juxtapositions.Hired hand and ultra villain played by Animesh Ich adds elements ofsurprise that literally make us jump out of the seat, occasionallyreminiscent of the effectiveness of these dimensions in the likes 'TheGodfather'.
In the movie, Amit Ashraf, a promising young director, uses someeffective techniques to convey complex modalities. An example is theuse of accelerated motion photography of the Buriganga river withmyriads of boats and launches caught in cross-traffic, a symbolism forfast and complex urban life and issues. Another example is themetaphorical use of a trail of "koi" fish like that in the fairy taleHansel and Gretel (Hansel leaves a trail of white pebbles to help himretrace path from the mysterious forest back to his home).
A movie which attempts to address a complex social issue like that of a'Runaway' is not expected to cover every nook and cranny. Areas thatcould add to the effectiveness (from this viewer's perspective)are: useof relevant indigenous music for the rural settings; more balancebetween the message of the movie and the numerous elements of surpriseused; subtitles could be made meaningful in the context of the culturalbackdrop of the movie (the viewer may have been spoiled by thesubtitling in the work of the likes of the famous director SatyajitRay...http://www.youtube.com/Streaming?v=GNmMeWhAPTU).
Overall this is a beautifully done intense movie, worth experiencing.Likely to keep the viewer glued to the screen, and drives home thethematic message very well. Our thoughts meander to recall anotherthematically driven movie of repute, well-acclaimed with many AcademyAwards (To Kill a Mocking Bird).
Udhao (2013) Review by Sugith Varughese from Canada
I saw Runaway, an impressive first feature from Bangla-Americanwriter-director Amit Ashraf, which was the closing night film at Filmi,the South Asian Film Festival in Toronto last Sunday.
The film tells the story of Babu, a rickshaw driver in Dacca whokidnaps a rising politico, Akbar, in order to return him to the familyhe abandoned as a young father and husband. The relationship betweenBabu and Akbar careens from hunter and hunted to something morefamiliar and then caroms off into something even darker. By the end, Ifelt I'd been through the same emotional ringer Babu and Akbar had beenthrough, drained but very satisfied at the depth of the story I'd beentold.
Ashraf's script is in Bengali and I had to rely on subtitles to knowwhat the characters are saying, but his use of the camera shows anastonishing grasp of visual poetry. Even when scenes are just ofcharacters talking, the camera is always probing, searching for theright vantage point to witness this relationship and often that vantagepoint surprises. Nothing is conventional.
Performances from some rising Bangladeshi actors are top notch, thoughI felt Shahed Ali's Bapu had the edge over Monir Ahmed's Akbar who hadto play both the younger and elder versions of the character. Alsostrong are Nawshaba Ahmed and Reetu Satter who play the women inAkbar's past. Animesh Aich's Raj is particularly nasty.
My quibbles are with the script which lacks enough story to keep itmoving through the long middle section where Bapu takes Akbar on a kindof journey into the heart of Dacca, but Ashraf's writing pays off inthe end with rigorous tragic consequences.
Working with cinematographer Kyle Heslop, Amit Ashraf has crafted amature and majestic first feature that felt like Satiyajit Ray metTarantino in Dacca with a Red camera and made a movie.
Udhao (2013) Review by bmeiresonne from France
The Redemption Raid
UDHAO (aka RUNAWAY) is a (quite unexpected) superb masterpiece fromBangladesh by first-timer Amit Ashraf.
UDHAO's story came to Ashraf's mind, while talking to his grandmother'smaid. Being left behind by her husband with her three children, shewished somebody could bring him back to their family.
Together with producer Sumon Arefin, the future director imaginedbounty hunter Babu's fictional story, which thus draws its inspirationin many terrifying true facts of Bangladesh's everyday life. If UDHAO'sintriguing introduction seems to lead the movie into the path ofanother action movie, it develops more into a humanistic, yetsuspenseful thriller drama. Bounty hunter Babu kidnaps the evilpolitician Akbar to start an adventurous journey through Bangladesh'sbeautiful, yet so menacing countryside. Whenever action sets down for acalmer approach, danger is never very far – such as in person ofactor's Animesh Aich "Raj", Akbar's explosive right hand. As such, onenever quite knows where Amit Ashraf's journey will take you – until thevery strong ending, way beyond all expectations.
The last sequence might remind some audience members of Japanesedirector Takeshi Kitano's most powerful films, such as HANA-BI orSONATINE; but truth is, Ashraf's perfect mise-en-scene and – mostoverall – courage to take all leads to a very logic finish makes it oneof the most powerful ending sequences of ANY movie in years…which makesthe audience want to see the movie over and over again to reveal allthe subtle red herrings (and I'm not only talking about the trail of"koi" fish) left behind by the smart film director throughout the film.
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